{"title":"Monostereo","description":null,"products":[{"product_id":"idles-joy-as-an-act-of-resistance-vinyl","title":"IDLES - Joy As An Act Of Resistance LP","description":"\u003cp\u003eDespite lacking the element of surprise, Idles' second album finds the band as vital as ever while simultaneously exploring darker and lighter hues; they have managed to follow up on Brutalism with a record that is not only more explosive but also doubles down on humor and genuine sentiment. Clearly, they've been taking cues from their live shows -- which have increased exponentially since their debut -- as Joy as an Act of Resistance is just as chaotic but isn't quite as tight and often feels like it's bursting at the seams. What remains irrefutable is the sense of urgency, delivered to such a degree that it casts shade on other bands who claim to be raucous.\n\u003cbr\u003eProceedings start in familiar territory, with opening track \"Colossus\" mimicking the buildup structure of \"Heel\/Heal\" before launching into a stream of pop culture references -- of which there are many throughout the record. From there, much of Joy as an Act of Resistance is an often hilarious trip through a myriad of societal issues, taking a slanted, sarcastic, and frothing shot at every subject. What's most interesting about Idles is that they don't trade in 2-D rage; they point a finger at very specific targets before laughing directly at them, and it's more nuanced than anger for anger's sake. In particular, their dismantling of masculinity is impeccable, as they encourage expression of emotions and the inclusivity of everyone without succumbing to the tired beta-male diatribe spewed by certain detractors; this reaches its pinnacle on veritable highlight \"Samaritans,\" which lists various phrases aimed at young men that only entrench stunted emotional growth.\n\u003cbr\u003eIt runs the risk of being overwhelming, if not for the sense of elation that Talbot brings to the table, masterfully exemplified by his staunch defense of immigration on \"Danny Nedelko,\" which is both a personal case for a good friend -- the lead vocalist of Heavy Lungs -- and a series of more relatable characters that immigration has brought to the U.K. Most importantly, the track swells to such manic levels of celebratory joy that it inescapably sweeps everything along with it. Conversely, the linchpin of the album, \"June,\" features heartbreaking lyrics and is easily the most personal song for Talbot; it entails the tragic loss of his baby daughter, an honest and brave move, especially considering how recently that unfortunate event took place.\n\u003cbr\u003eIn a move almost possible to predict, Idles have also included a full-blown cover with their own rendition of Solomon Burke's \"Cry to Me,\" which works more than it really should, both thematically and in this new crunchier form. Overall, Joy as an Act of Resistance manages to plumb new depths for Idles -- that they've achieved another record in such a short space of time is admirable, let alone one that shines head and shoulders over the majority of their peers -- and it certainly upholds their status as one of the U.K.'s most exciting new acts. ~ Liam Martin\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eReleased: 2018-12-07\u003c\/li\u003e\n\u003cli\u003eFormat Detail: Gatefold LP+ DL Card\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"IDLES","offers":[{"title":"Default Title","offer_id":51395526131964,"sku":"YDHXVN-W1WT-92","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0631\/4016\/7932\/files\/idles-joy-as-an-act-of-resistance_rQRyL.jpg?v=1790353967"},{"product_id":"harry-styles-kiss-all-the-time-disco-occasionally-cd","title":"Harry Styles - Kiss All The Time. 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None of these songs appear on the simply titled LP 1, a bold move that extends to the rest of the album. Tahliah Barnett opens up her sound by working with a host of producers: along with previous collaborator Arca, indie darlings Paul Epworth and Dev Hynes contribute their sound-shaping skills, along with Emile Haynie, whose contributions to Eminem's Recovery earned him a Grammy. They help give LP 1 a lusher sound that's more accessible, and more overtly R\u0026amp;B, than FKA Twigs' earlier work but maintains its ethereal sensuality. It's an approach that shines on the lead single \"Two Weeks\": the flipside of songs like \"Papi Pacify\" and \"Water Me,\" where pain was suffused and eclipsed desire, it finds Barnett powerfully in control of her sexuality, rooting out doubt and infidelity over the verses' underwater beats and soaring on the ecstatic choruses. The album's other singles are just as charged. The Epworth-produced \"Pendulum\" amplifies FKA Twigs' bittersweet side beautifully, and when Barnett sings \"I dance feelings like they're spoken,\" it's as intimate as the more overtly autobiographical and anguished \"Video Girl,\" a nod to her time dancing in clips for songs by Ed Sheeran and Jessie J. Here and elsewhere on LP 1, she excels at broadening her emotional palette as well as her musical one. She glides from the album's lows to its highs, juxtaposing pitch-black tracks like \"Numbers,\" where chopped-up breaths, beats, and horror movie strings channel panic, loss, and anger, with radiant ones like \"Closer,\" the poppiest FKA Twigs song yet (and one that Barnett produced herself). Elsewhere, the spacious, moody \"Kicks\" and \"Lights On\" evoke the EPs without rehashing them, emphasizing the album's seamless transition to a grander scope. 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This album features live renditions of fan-favorite tracks, capturing the energy and essence of their performances. Experience the intricate musicianship and dynamic vocals that have defined the band's sound.\u003c\/p\u003e\n\u003ch3\u003eHighlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDouble LP vinyl format\u003c\/li\u003e\n\u003cli\u003eLive recordings from the Tree City Sessions\u003c\/li\u003e\n\u003cli\u003eIncludes both original and instrumental versions\u003c\/li\u003e\n\u003cli\u003eReleased by Rise Records\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTrack Listing\u003c\/h3\u003e\n\u003cp\u003e01. It's Safe To Say You Dig The Backseat [Tree City Sessions]\u003c\/p\u003e\n\u003cp\u003e02. The Robot With Human Hair, Pt. 3 [Tree City Sessions]\u003c\/p\u003e\n\u003cp\u003e03. Need Money [Tree City Sessions]\u003c\/p\u003e\n\u003cp\u003e04. Eagle vs. Crows [Tree City Sessions]\u003c\/p\u003e\n\u003cp\u003e05. Burning Down The Nicotine Armoire [Tree City Sessions]\u003c\/p\u003e\n\u003cp\u003e06. Self-Trepanation [Tree City Sessions]\u003c\/p\u003e\n\u003cp\u003e01. Surprise! I'm From Cuba, Everyone Has One Brain [Tree City Sessions]\u003c\/p\u003e\n\u003cp\u003e02. Doom \u0026amp; Gloom [Tree City Sessions]\u003c\/p\u003e\n\u003cp\u003e03. Reprogramming Mental Preprogramming [Tree City Sessions]\u003c\/p\u003e\n\u003cp\u003e04. Swan Soup [Tree City Sessions]\u003c\/p\u003e\n\u003cp\u003e05. Bloodsucker [Tree City Sessions]\u003c\/p\u003e\n\u003cp\u003e06. Powder To The People [Tree City Sessions]\u003c\/p\u003e\n\u003cp\u003e01. It's Safe To Say You Dig The Backseat [Tree City Sessions;Instrumental]\u003c\/p\u003e\n\u003cp\u003e02. The Robot With Human Hair, Pt. 3 [Tree City Sessions;Instrumental]\u003c\/p\u003e\n\u003cp\u003e03. Need Money [Tree City Sessions;Instrumental]\u003c\/p\u003e\n\u003cp\u003e04. Eagle vs. Crows [Tree City Sessions;Instrumental]\u003c\/p\u003e\n\u003cp\u003e05. 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Having traversed the likes of controversy in the industry, surprising collaborations, surreal marketing tactics, and of course, ferocious live appearances, the band have most certainly cemented their status as one of the most captivating and fearless acts of the 2010s. Following 2016's Bottomless Pit, here the band deliver their sixth LP, Year of the Snitch. The former -- alongside other prior releases -- have managed to occasionally meld somewhat accessible traits of more widely acknowledged hip-hop into their sound. Here, however, it seems that Death Grips have opted to go for more surrealism this time. Although the first third of the record is seemingly not as in-your-face as previous work, opener \"Death Grips Is Online\" blasts in straightaway with thudding electro percussion, indecipherable vocal samples, and bright synth leads before segueing into Zach Hill's thundering toms and MC Ride's trademark hollering. 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